Sofar Sounds Indianapolis Shines at The Coffee Haus Featuring Performances by Joe Cripe, Anna May and Grant Trammel

Joe Cripe

On an otherwise quiet evening at The Coffee Haus at Guggman, the familiar rhythms of Indianapolis gave way to something more intimate, more intentional. Sofar Sounds Indianapolis returned with one of its signature secret shows, transforming the warm, industrial-chic space into a sanctuary for live, stripped-down music. With exposed brick walls, soft lighting, and the comforting aroma of fresh coffee in the air, the venue set the perfect stage for an evening that felt more like a gathering of friends than a traditional concert.

The night opened with Joe Cripe, whose honest songwriting and earthy vocals immediately pulled the audience in. Performing songs rooted in reflection and quiet intensity, Cripe stripped everything down to its essential elements: voice, melody, and emotion. Each note felt intentional, echoing through the intimate room and reminding listeners of the simple power of a well-crafted song. There was a vulnerability in his performance that felt both raw and reassuring—as if he was letting the audience peer into pages of a journal set to music.

Next came Anna May, who brought a gentle yet compelling energy to the stage. Her voice, soft but assured, floated effortlessly over delicate instrumentals. There was a dreamlike quality to her set, blending folk-pop sensibilities with poetic lyricism. As the room grew hushed, the audience leaned in closer, captivated not only by her vocals, but by the stories that unfolded between each song. In that moment, The Coffee Haus ceased to be a café and became a cocoon, holding every lyric in suspended silence.

Anna May

Closing out the night was Grant Trammel, whose sound blended indie charm with a soulful backbone that filled the room. His warm vocal tone paired seamlessly with polished guitar work, creating a balanced and immersive experience. Trammel’s presence on stage was effortless—confident without being overpowering—allowing the music to speak for itself. By the final song, subtle head nods and swaying bodies throughout the room revealed an audience completely locked into the moment.

Grant Trammel

Sofar Sounds once again proved why its concept is so powerful. By removing distractions and placing all focus on the artists, the experience becomes deeply personal. No elaborate staging. No overpowering lights. Just music, artists, and an audience that truly listens.