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KC & the Sunshine Band at Old National Centre — A Night of Pure Joy

  • Writer: Joey Amato
    Joey Amato
  • 4 days ago
  • 2 min read

On a cool Indianapolis evening, KC & the Sunshine Band brought a burst of sunshine indoors, transforming the Old National Centre into a disco-soaked dance party that felt equal parts timeless and electrifying. From the moment the lights dimmed and the unmistakable opening notes of “(Shake, Shake, Shake) Shake Your Booty” kicked off the set, it was clear this was going to be a night to remember.


Frontman Harry Wayne Casey, as charismatic and engaging as ever, bounded onto the stage in his signature glimmering attire, radiating energy that belied decades of performance history. The crowd — a joyous mix of longtime fans spanning generations and younger concertgoers discovering these classics live for the first time — erupted in applause, hips swaying before the band even hit full stride.


The band wasted no time launching into a string of hits that set the tone for the evening: “Boogie Shoes” and “Please Don’t Go” had the room dancing early, while “I’m Your Boogie Man” and “Keep It Comin’ Love” sustained the groove with effortless funk and soul.


As the set progressed, the musicians showcased not only their rhythmic precision but also their versatility — shifting between party anthems and deep grooves that drew cheers with every beat. A playful medley of “Wrap Your Arms Around Me / Do You Wanna Go Party” and the infectious “I Like to Do It” had the audience singing along at full volume.


Midway through the performance, KC & the Sunshine Band dipped into something unexpected yet thrilling: a cover of George McCrae’s “Rock Your Baby,” nodding to the disco roots that helped define an era. Harry Casey actually co-wrote the song which McCrae made a hit back in 1974. The momentum only grew stronger with a high-energy mash-up featuring “Give It Up” and a funk-heavy tease of “Brick House” and “Shake Your Body (Down to the Ground),” capped perfectly by an engaging drum and band feature that showcased musical chemistry and showmanship.


Just when it felt like the set couldn’t get any more electric, familiar choruses filled the hall again with “That’s the Way (I Like It)” and “Get Down Tonight,” prompting near-constant dancing and enthusiastic sing-alongs.


The band then dialed into a nostalgic, celebratory moment with “So Glad We Got Together,” a live favorite that seemed to capture the communal spirit of the night as fans swayed, clapped, and smiled at the shared joy of the performance.

After the main set ended to raucous applause, the encore didn’t disappoint: a spirited fusion of “I Gotta Feeling / Please Don’t Go” that sent the crowd home on a high.


This wasn’t just a concert; it was a celebration of rhythm, connection, and the irresistible power of dance. Whether you came for nostalgia or discovered these songs live for the first time, the night at Old National Centre was a glittering reminder that great music truly never gets old.

 
 
 

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