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Sofar Sounds Indianapolis Review: Intimate Performances by Chloë Beth, Rhetoryk & MFFRED at The Pit Stop

  • Writer: Joey Amato
    Joey Amato
  • 2 days ago
  • 2 min read
Sofar Sounds Destination Indy

On a chilly December night at The Pit Stop in Indianapolis, the Sofar Sounds series delivered an evening that reminded everyone why live music in small spaces still feels sacred. Sofar Sounds’ model — to place artists and audiences in unexpected, up-close settings where attention to craft matters above all else — was in full effect, creating an atmosphere where even the faintest string pluck carried weight.


Chloë Beth opened the evening with a set that felt like an honest conversation. Her voice, rich with nuance and emotional truth, revealed the depth of her songwriting and her roots in soul-inflected folk-Americana. Chloë Beth’s music is rooted in reflective pop and neo-soul sensibilities. She brought a luminous presence to the room, weaving narratives of heartbreak, self-discovery, and resilience into each lyric. Her performance struck a rare balance between vulnerability and command, drawing the audience in with moments that hovered between wistful introspection and melodic clarity.


Rhetoryk followed, shifting the night’s energy into a textured blend of rhythm and lyricism. While the specifics of Rhetoryk’s background and influences run deeper than a simple genre label, the performance wove poetic storytelling with intricate musicality. There was a thoughtful interplay between cadence and mood, with each song unfolding like a personal essay set to sound. In a venue built for focus, Rhetoryk’s set showcased not just technical skill but a clear commitment to forging an emotional connection with the listeners.


The evening closed with MFFRED, whose stage moniker — and presence — felt perfectly suited for a Sofar audience: warm, unguarded, and deeply melodic. A staple in the local music scene, MFFRED offered a set that blended soulful songwriting with a distinctive vocal warmth that seemed to settle like a blanket over the crowd. His original compositions gave the room something smooth yet soulful, complementing the earlier sets with a gentle but assured emotional arc. Each song became an invitation: a story shared, a feeling echoed back by an audience clearly invested in the moment. 


Across the night, the intimate setup at The Pit Stop — classic Sofar: minimal barriers, maximal presence — made every breath and silence part of the performance. There were no grand production flourishes; just human voices in resonance with earnest musicianship. It was the kind of evening where each song feels like a discovery, where the space itself becomes part of the soundtrack, and where performers and audience alike share in the rare joy of undistracted listening. 

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